I sent a message to youngest son
“Today I created my very first excel spreadsheet.”
This was his reply.
Which did make me laugh because, as a computer geek, he is a lover of spreadsheets, so much so I even bought him this mug for Christmas one year.
My spreadsheet wasn’t filled with numbers and complex mathematical
equations but with a plot outline for my novel.
A few months back I decided writing my story as a memoir was
a bit like piloting a minisub through rice pudding (one of Andrew’s favourite
sayings) and as I have never liked rice pudding, I decided I needed a dramatic re-think
to move things forward if I ever wanted to complete the project and get a book written, let alone published.
After much pondering I have chosen to write the tale of
a young widow in her first year of grief as a novel, rather than writing a true story. My protagonist goes
through some of the same things I did and I will still draw on my emotions and experiences which I
wrote about at the time in my blog. The rawness of my writing from then will be
invaluable source material.
However, the story is NOT about me, I have left some bits
out, changed real people for made up characters and embellished much of it. I’ve
already written 16,000 words – which sounds impressive, but I'm at the stage where the doubts
creep in. I find myself floundering as I realise there are things I want to
change at the start and I’m reticent to continue, it feels as if I’ve wandered a bit too far from the original path and lost my bearings.
What’s required is a map, something tangible to direct me, a
proper structure to build on. I need to work on the plot, it’s all too fluid, bouncing around in my head, it requires taming and I have never really mastered this bit of the process before.
I reached the same point with The Girl in the Yellow Dress and The Book of Esther and admit I gave up. Hopefully one day I will go back to them because I know they are both too good to completely throw away. I believe they are worth finishing. As is this latest novel idea.
This is when I usually start pondering...
Is plotting just another way to procrastinate?
Will planning take me away from the all important business of actually writing?
The writing had already stalled so I reasoned I'd got nothing to lose and with renewed confidence and purpose, I sat in the garden the other week, enjoying the sunshine and creating some character mind maps. I’ve already ditched some characters in the process, which feels right even though it means I will need to delete a few thousand words before I start writing again. I always think I know my characters well but then discover if I push too hard, they fall apart like a wobbly tower of Jenga blocks. They don’t have solid foundations or backstories.
Today I’ve produced my spreadsheet of the main plot details
in some semblance of order, when different characters appear and how that moves
the narrative on. The structure, while not set in stone, will give me a bit
more of a framework to hang the finer details of the story onto. I have found
my way forward, at least for now until I come up against another hurdle, which
I invariably will.
But for now I’m quite excited, I feel as if I really have excelled
myself today – or maybe it’s just procrastination as a way of avoiding the housework?
But that, as they say, is another story entirely…
I went on Paul Kerensa's writing course in lockdown and he mentioned using a spreadsheet to plan. Is it working for you?
ReplyDeleteTime will tell!
DeleteIt's certainly made it a bit clearer what's happening when but I've got a bit to add to it. It's quite basic but I'm pleased for my first ever attempt and it keeps everything together rather than notes and lists scattered in various notebooks.
It was listening to Kit de Waal that inspired me to try it. She plans everything meticulously by spreadsheet before she writes.
It's a good idea. I might try it if I write another Isabella
ReplyDelete